Las óleos de todo Alexei Savrasov
Choice ID Image  Painting (From A to Z)       Details 
35130 A Country Road  A Country Road   mk100 1873 Oil on canvas 70x57cm
60710 Early Spring. Thaw.  Early Spring. Thaw.   Early Spring. Thaw. (1880s).
60708 Evening. Migration of birds,  Evening. Migration of birds,   Evening. Migration of birds, 1874
60698 Landscape with River and Angler  Landscape with River and Angler   Landscape with River and Angler (1859).
60709 Monastery Gates  Monastery Gates   Monastery Gates (1875).
60703 Monastery of Caves near Nizhny Novgorod  Monastery of Caves near Nizhny Novgorod   Monastery of Caves near Nizhny Novgorod (1871).
78181 Oil on canvas painting entitled  Oil on canvas painting entitled   Oil on canvas painting entitled "Elk Island in Sokolniki" (xxxxxxx xxxxxx x xxxxxxxxxxx); 68x88 cm.cjr
60707 Rafts  Rafts   Rafts (1873).
60705 Rainbow  Rainbow   Rainbow (1873).
60712 Rasputitsa  Rasputitsa   Rasputitsa (Sea of Mud, 1894)
60699 Rustic View  Rustic View   Rustic View (1867).
60706 Spring Day,  Spring Day,   Spring Day, 1873
60711 Spring. Kitchen Gardens  Spring. Kitchen Gardens   Spring. Kitchen Gardens (1893)
60704 Sukharev Tower  Sukharev Tower   Sukharev Tower (1872).
60702 Sundown over a marsh,  Sundown over a marsh,   Sundown over a marsh, 1871
60695 The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma.  The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma.   The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma.
35088 The Rooks Have Returned  The Rooks Have Returned   mk100 1871 Oil on canvas
60697 View in the Neighborhood of Oranienbaum  View in the Neighborhood of Oranienbaum   View in the Neighborhood of Oranienbaum (1854).
60696 View of the Kremlin from the Krymsky Bridge in Inclement Weather  View of the Kremlin from the Krymsky Bridge in Inclement Weather   View of the Kremlin from the Krymsky Bridge in Inclement Weather (1851).
60701 Winter  Winter   Winter (1870).
60700 Winter Night  Winter Night   Winter Night (1869).
Alexei Savrasov
Russian Painter, 1830-1897 was a Russian landscape painter and creator of the lyrical landscape style. Savrasov was born into the family of a merchant. He began to draw early and in 1838 he enrolled as a student of professor Rabus at the Moscow School of Painting, Sculpture and Architecture (graduated in 1850), and immediately began to specialize in landscape painting. In 1852, he traveled to Ukraine. Then, in 1854 by the invitation of the Grand Duchess Maria Nikolayevna, President of the Imperial Academy of Arts, he moved to the neighborhood of St. Petersburg. In 1857, Savrasov became a teacher at the Moscow School of painting, sculpturing and architecture. His best disciples, Isaac Levitan and Konstantin Korovin, remembered their teacher with admiration and gratitude. The Rooks Have Come Back was painted by Savrasov near Ipatiev Monastery in Kostroma.In 1857, he married Sophia Karlovna Hertz, sister of art historian K. Hertz. In their home they entertained artistic people and collectors including Pavel Tretyakov. Savrasov became especially close with Vasily Perov. Perov helped him paint the figures of the boat trackers in Savrasov's Volga near Yuryevets, Savrasov painted landscapes for Perov's Bird catcher and Hunters on Bivouac. In the 1860s, he traveled to England to see the International Exhibition, and to Switzerland. In one of his letters he wrote that no academies in the world could so advance an artist as the present world exhibition. The painters who influenced him most were British painter John Constable and Swiss painter Alexandre Calame. The Rooks Have Come Back (1871) is considered by many critics to be the high point in Savrasoves artistic career. Using a common, even trivial, episode of birds returning home, and an extremely simple landscape, Savrasov emotionally showed the transition of nature from winter to spring. It was a new type of lyrical landscape painting, called later by critics the mood landscape. The painting brought him fame. In 1870, he became a member of the Peredvizhniki group, breaking with government-sponsored academic art. In 1871,



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